But it is fall, not spring. OK, letting that go...
Shown Left: Jason Hite as Melchior and Eryn Murman as Wendla in San Jose Rep's production of Spring Awakening.
DH and I just saw the San Jose Repertory Theatre's performance of
Spring Awakening.
<SPOILER ALERT> For those who don't like spoilers, you should not read this review, as there will be spoilers throughout. Just won't be possible to explain what I loved about the show without giving some of the story away.
Having listened to the lyrics ahead of time, and read the plot synopsis, DH was not sure he wanted to go. While the overarching story is already for mature audiences only (awakening teen s_xuality, angst, and repression), there are many, many other mature themes to this play, including:
- masturb_tion (starts with the very first scene, first song, and continues throughout)
- teen s_x
- homos_xuality
- child abuse (both physical and s_xual)
- anti-religious themes
- anti-authoritarian themes
- teen pregnancy/abortion
- teen suicide
(Sorry about all the underscores. Trying not to get traffic that will be disappointed by the regular content of this blog)
Definitely not a play you'll see any T-Party candidates attending, unless picketing out front counts.
Having heard the songs, though, and with our oldest child entering puberty, I wanted DH to come see it with me, so he agreed. And boy, was he glad he did!
The first scene, first song,
"Mama Who Bore Me" won us over immediately. Very much an ensemble show, the female leads sang like angels--clear, melodious, and harmonious. That is, if angels stomped around on stage in boots, pulling up their nighties, and, umm,
"mastering their domain" as Seinfeld would have put it.